Migration is dangerous, and migratory maps are hard to find. Like Thoureau or Whitman, Martin and Earl turn inward, sequester into the sublime as they search to record their way back to a beginning they can't remember, that may have never been. It is from this sequestered place that Martin and Earl see the only thing left that is truly sublime, themselves. Laughter becomes one of the more dangerous weapons they employ to combat the impending whiteness.