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How do we tell them they're crap?

An artist on stage in their wheelchair. Their mouth is open, eyes wide, and their colourful costume is partially camouflaged into the brilliantly lit background.
Sarah Walker
An artist on stage in their wheelchair. Their mouth is open, eyes wide, and their colourful costume is partially camouflaged into the brilliantly lit background.
Sarah Walker
An artist on stage in their wheelchair. Their mouth is open, eyes wide, and their colourful costume is partially camouflaged into the brilliantly lit background.
Sarah Walker
An artist on stage in their wheelchair. Their mouth is open, eyes wide, and their colourful costume is partially camouflaged into the brilliantly lit background.
Sarah Walker
An artist on stage in their wheelchair. Their mouth is open, eyes wide, and their colourful costume is partially camouflaged into the brilliantly lit background.
Sarah Walker
An artist on stage in their wheelchair. Their mouth is open, eyes wide, and their colourful costume is partially camouflaged into the brilliantly lit background.
Sarah Walker
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An open discourse around the nuances of industry feedback in the Deaf and Disability arts sector.

Caroline Bowditch talks with Professor Bree Hadley (Faculty of Creative Industries, Education and Social Justice, QUT), Michelle Ryan, (Artistic Director, Restless Dance Company) and Jo Verrent (Executive Producer, Unlimited, UK) who bring their expertise to a conversation about genuine allyship and the importance of critical feedback to artists, artforms and aesthetic development.

Sessions

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    Event Info

    Important Event Information

    Transcripts and Audio files of the conversation can be found here: https://drive.google.com/drive/folders/10dxOv943LbIj8j21ApH2C1FYOpktGt0c

    Rating

    M - Recommended for audiences 15 and older

    Content Warning

    Disability Slurs

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